Bach, Baroque & Beyond Concerto Competition 2024
Students can sign up with a movement from a Baroque concerto for a chance to play with the NBS String Faculty quartet, while students who sign up with a movement from a non-Baroque concerto (a concerto from a later period) will have a chance to perform their piece with a piano accompanist. All top scorers will be featured at our Winners’ Concert on Sunday, March 17 at the Church of the Redeemer in Bryn Mawr!
- Deadline to Apply is January 25
- Auditions for all competitors will be held on February 25 at NBS
- The Winners’ Concert (for Platinum and Gold Winners) will be on Sunday, March 17 at the Church of the Redeemer
Prizes Include:
- FULL (100%) scholarship to a week of NBS Summer Camp (Week 1 July 8-12; Week 2 July 15-19)
- Half (50%) scholarship for a week of NBS Summer Camp
- Quarter (25%) scholarship for a week of NBS Summer Camp
- Featured performance on Main Line TV
- Featured performance on NBS YouTube Channel
- Gift Cards
- Free Lessons at NBS
- All students will receive feedback from the judges, certificates, and will be awarded Platinum, Gold, Silver and Bronze medals
Competition Requirements
Deadline to Apply & Submit Piano Accompaniment: January 25, 2024
- $80 audition fee
- Please inquire in the Office about the piano accompanist fee for February 25 audition
- All participants must rehearse & audition with piano accompaniment (orchestra-piano transcription) – rehearsal fees will vary by length and frequency
- All participants must have had at least one (1) rehearsal by February 18 – make sure to include your full rehearsal availability on the Google Form
- Send a scan of your piano accompaniment to [email protected] (accompanists and judges will still need a hard copy of your music)
- Baroque Category Winners (Platinum) only: $395 concert fee for ten selected winners to perform with the NBS Faculty String Quartet, which will include a rehearsal and a concert performance
- All Other Winners (Gold): Please inquire in the Office about the piano accompanist fee for the Winners’ Concert (March 17)
We hope you will join us in making this another memorable event!
“Dear Nelly Berman School of Music staff and teachers, thank you! You provide a warm and welcoming environment to support our children as they learn to love music and thrive. You help them achieve their full potential through inspiration and exposure to high-caliber teachers and fellow students. Thank you!”
-The Mellon Family
Meet Our Judges for the “Bach, Baroque & Beyond” Concerto Competitions!
Dr. Daniel Schlosberg
Proud NBS Alumnus – Our Director, Elena Berman, was Daniel’s first piano teacher!
Brooklyn-based composer, pianist, and conductor Daniel Schlosberg’s music has been performed by the Dover Quartet, Minnesota Orchestra, Choir of Trinity Wall Street, Nashville and Albany Symphonies, at Carnegie Hall, (le) poisson rouge, Royal Albert Hall and Beijing Modern Music Festival, and has also been featured in the New York Times and WNYC’s Soundcheck. In addition to collaborations with the Imani Winds, Tony Kushner, and Ben Stiller, he was the pianist for Steven Spielberg’s recent reimagining of West Side Story, and a featured soloist in Anthony Roth Costanzo and Justin Vivian Bond’s Only an Octave Apart with the New York Philharmonic and on NPR’s Tiny Desk Concert Series. Daniel is also the Music Director of Heartbeat Opera, for which his radical re-orchestrations of classic operas have been praised as “flat-out brilliant” by the New York Times and “ingenious” by Wall Street Journal. He received a DMA in Composition from the Yale School of Music, studying with Martin Bresnick, David Lang, and Aaron Jay Kernis, and piano with Hung-Kuan Chen.
Tamara Rusanova
Tamara Rusanova, PhD, is a Professor of Piano Performance at the Gnesin Russian Academy of Music, a Distinguished Fellow in the Arts of the Russian Federation, winner of several international music competitions, President of the Russian Schubert Society, Artistic Director of the Alemdar Karamanov Center for Contemporary Art, and an Honorary member of the Board of the Schubert Society of the USA.
A graduate of the Gnesin Institute where she studied under Lina Bulatova, Rusanova belongs to the renowned school of Elena Gnesina and Heinrich Neuhaus. Her repertoire centers on the works by Romantic composers, along with classics and works of the Baroque period. Rusanova began performing solo concerts at the age of 15 serving for several years as the soloist of the Bashkir Philharmonic. Rusanova recorded three albums in 2000, 2006, and 2013, respectively, featuring works by Schubert, Schumann, Liszt, Brahms, and Scarlatti.
In addition to solo recitals, she conducts academic workshops and master classes on piano performance and pedagogy, and participates in competition juries in Russia, Germany, Denmark, Spain, Italy, Poland, Lithuania, Ukraine and the US.
Professor Rusanova is also the author of Franz Schubert’s Last Piano Sonatas: Composition and Interpretation (2008) and numerous articles on the problems of musical style, performer interpretation, pedagogy. Over the years, she has taught over 130 students. Among them: 40 winners of international competitions, four Ph.D’s in musicology, and a number of accomplished performers and teachers working both in Russia and around the world.
Rusanova is the main organizer and creative director of “Romanticism: Its Origins and Beyond,” an annual international forum comprised of a music competition and a scholarly conference, which is jointly sponsored by the Russian Gnesin Academy of Music, the Moscow Tchaikovsky Conservatory, the Russian Schubert Society and the Alemdar Karamanov Center for Contemporary Art.
Past Competition Winners’ Bios & Sample Performances
Winners of the 2022-2023 Concerto Competition:
- Apollo Murray (Cello): Elgar Cello Concerto in e minor, Op. 85, Mov. 1
- Ben Sessions (Piano): Beethoven Piano Concerto No. 1 in C, Op. 15, Mov. 3
- Ian Sun (Piano): Chopin Piano Concerto No. 1 in e minor, Op. 11, Mov. 2
- Sasha Murray (Piano): Saint-Saens Piano Concerto No. 2 in g minor, Op. 22, Mov. 3
- Yoni Gartenberg (Violin): Accolay Violin Concerto in a minor, Mov. 1
Ian Sun, Piano
- Senior in High School
- Studies with Dr. Anna Kislitsyna
“I don’t make mistakes. I make spontaneous creative decisions.”
What competitions or awards have you won?
- Second Prize, American Virtuoso International Music Competition
- First Prize & Excellence Nomination, Vivaldi Competitions: Young Artist Categories
- Gold Award, Grand Metropolitan International Music Competition: Gold award (score of 93/100)
- Second Place, Opus National Competition: Piano, age 14-18 category
- Gold Award, North American Virtuoso International Competition (score of 91/100)
What are your interests outside of music?
Quite a lot – in addition to piano, I am also a percussionist in the Philadelphia Youth Orchestra, and I played the drum set in my school’s honors jazz band. I’m also very involved with computer science, and I’m a part of my school’s robotics team which very nearly made it to VEX Worlds last year. In addition to robotics, I’m a part of my school’s refurbishing club where we tune up old computers and send them to communities in need, and I recently founded a student tech support program where students can help troubleshoot problems on people’s devices. On top of that, I manage the websites for three different nonprofits, and was involved in them in more than just web management; I wrote the curriculums for one nonprofit that taught English to ESL (English as a second language) students, and I participated in discussions about racism and discrimination in another. And on top of that, I wrote for my school’s newspaper and became the opinions editor for it, of which many of my articles were about issues affecting my community, such as racism.
What is one piece of advice about music practice that you would like to share?
I actually have two pieces of advice. My first is: don’t procrastinate! I know, you’ve heard this so many times from so many people, but it’s really important not to delay your practice until the day of your lesson or a performance. Just like with schoolwork and cramming before a test, you won’t get your piece firmly in your hands if you practice like that and you’ll probably forget it soon after. It takes consistent practice to get pieces firmly in your hands. I’ve learned this the hard way, mind you. My second piece of advice is not to obsess over a tiny mistake during a performance. When you’re practicing, definitely make sure that every part of the piece is firmly in your hands and neatly polished. But on stage, when you mess up, just keep playing.
How did serious music influence your life?
You know that old adage – “when words fail, music speaks.” And that adage perfectly suited me ever since I was young; music was how I expressed myself, and it was how I channeled my emotions. For example, whenever I did homework or any other tedious task, I would often listen to music to make the task enjoyable. But it also fits into my positivity, even when I’m overwhelmed — some songs I listen to put a smile on my face which makes me feel optimistic and confident during the day. Even when I practice piano, I still get the same feelings of confidence, calm, or optimism.
Are you planning to continue studying music in college?
I’m majoring in computer science, actually! But I might end up being a part of a band, orchestra, or some musical ensemble in college, and I’ll still find time to practice piano during then. I am applying to Princeton and Yale as music majors with an emphasis on piano performance, though.
Ben Sessions, Piano
- Junior in High School
- Studies with Dr. Anna Kislitsyna
Ben began his piano studies at the age of seven at the Oxford Arts Alliance. He was a student of Dr. Carl Cranmer of West Chester University from 2018-2021. In the summer of 2019, Ben attended the Philadelphia International Music Festival, where he studied with Ashley Hsu and Svetlana Smolina. He attended the Interlochen Center for the Arts High School Piano Program in 2021, where he studied with Dr. Michael Coonrod. Ben has been attending the Nelly Berman School of Music since November 2021, studying with Dr. Ronaldo Rolim and Dr. Anna Kislitsyna. He attended the Oberlin Piano Festival in the summer of 2022, studying with esteemed guest artists including Stanislav Ioudenitch and Peter Mack. He also enjoyed playing frequently in local retirement homes.
What are your interests outside of music?
I enjoy baseball, playing chess, and golfing with my grandparents.
What are your practicing habits or tricks to learning a piece?
It is hard to always be motivated to practice, so I find it helps when I have a competition or performance in mind that I have to work towards. I also like to watch videos that I find especially inspirational such as Yunchan Lim’s version of Rachmaninoff’s third piano concerto.
How did serious music influence your life?
It has taken up a lot of time in my life, but I am glad it has. I feel like it gave my an outlet for my emotions that I have a hard time expressing and gave me always something to work towards as well as teach me so many lessons about hard work and chasing a dream.
Are you planning to continue studying music in college?
Yes I plan to Major in piano performance in college.
Sasha Murray, Piano
- Junior in High School
- Studies with Dr. Anna Kislitsyna & Dr. Marianna Prjevalskaya
What competitions or awards have you won?
I have won first place at the Triumph Music Festival in the Rachmaninoff category and 2nd prize at the London International Music Competition and Medici International Music Competition.
What are your interests outside of music?
Outside of music, I enjoy swimming, coding, and competing in Science Olympiad. I am involved with planning many events like the LM Girls Hackathon and CodeLM (a programming competition) for my school’s Computer Science Club. I am also the senior website editor for The Merionite, the Lower Merion school newspaper. My school’s Science Olympiad team recently qualified for our first in-person national tournament since 2018 with the lowest team score in history at the state tournament.
How do you deal with the pressure of performance?
To deal with the pressure of performance, I recommend playing at the weekly performance classes as much as possible. The only way to be comfortable with performing is to perform more! It is also important to make sure the piece is actively memorized, not just relying on muscle memory.
How did serious music influence your life?
Playing an instrument has taught me discipline since I learned the importance of practicing every day.
Are you planning to continue studying music in college?
Although I don’t think I’ll be a music major, I hope to continue studying music in college. I’m mainly interested in continuing to learn chamber music.
Apollo Murray, Cello
- Eighth Grade
- Studies with Jacques-Pierre Malan & Jeffrey Solow
What competitions or awards have you won?
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Winner’s Recital, Golden Key Music Festival, Carnegie Hall (April 2022)
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Silver Rating, Golden Key Music Festival (February 2022)
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Third Prize, Kol Nidrei (Bruch), Classical Music International Competition, International Youth Music Competitions (IYMC) age group 10-13 (June 2021)
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Platinum Rating, Nelly Berman School of Music, Music Technique Skills-Building Scales & Studies Competition (May 2021)
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Gold Rating, Nelly Berman School of Music, Celebration of the Arts Festival (April 2021)
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Honorable Mention, ODIN International Music Competition (Jan. 2021)
What are your interests outside of music?
Working out, swimming
What are your tricks to learning a piece?
Finding all the places that you have found that give you big problems and work out all the big details, then focus on fine tuning.
How did serious music learning influence you in your life?
I think music has given me a greater appreciation for everything in life, and all the details
Are you planning to continue studying music in college?
Probably not majoring, but will continue to play the cello
Yoni Gartenberg, Violin
- Sixth Grade
- Studies with Tanya Ivanova
What Competitions or Awards have you won?
- NBS Celebration of the Arts 2022 & 2023
What are your interests outside of music?
I enjoy playing soccer and am a striker on the Lower Merion Soccer Club travel team. I also enjoy playing in an orchestra. I’m currently in a strings ensemble called Prysm Strings which is organised by the Philadelphia Youth Orchestra. I love cooking for my family (my favorite dish to cook is salmon). And I enjoy school, in particular Latin and Math.
What are your tricks to practicing/learning a piece?
I try to perform beforehand many times and in front of many people so I can try to simulate playing under pressure.
How did serious music influence you in your life?
Studying music has taught me to be disciplined and organised, both when I am practicing and outside of music. I also enjoy listening to classical music in my spare time. My favorite violinists are Milstein, Oistrakh, Hahn, and Perlman.
Are you planning to continue studying music in college?
I don’t yet know whether I will continue to music school (I’m only in the 6th grade!). But I definitely plan to continue playing the violin in college.
Concerto Competition 2nd & 3rd Prize Winners, Honorable Mentions
STRINGS/WINDS
2nd Prize/Alternate: Miles Zhou (Violin)
3rd Prize: Ben Roses (Violin)
1st Honorable Mention: Zoe Zhang(Violin)
2nd Honorable Mention: Suri Ahn (Violin)
3rd Honorable Mention: Ryan Ye (Violin)
PIANO
2nd Prize/Alternate: Michelle Dou (Piano)
3rd Prize: Andrew Li (Piano)
1st Honorable Mention: Andrew Yu (Piano)
2nd Honorable Mention: Chloe Chen (Piano)
3rd Honorable Mention: Torsten Fras (Harpsichord)
Judges for the 2022 Concerto Competition
Faina Lushtak: Steinway Artist, Chair of Downman Trust Fund at Tulane University, International Competition Judge
Dr. Timothy Vance Blair: Steinway Artist, Senior Partner & Distinguished Professor with Alexander & Buono International of New York, Dean Emeritus of West Chester University College of Arts & Humanities
Elina Kalendarova: Member of the Philadelphia Orchestra since 2002
Dr. Nathaniel McEwen: Voice Faculty at the NBS, Member of the Philadelphia Opera Company